man > out123(1)

out123(1)                              General Commands Manual                             out123(1)

NAME
       out123 - send raw PCM audio or a waveform pattern to an output device

SYNOPSIS
       cat audio.raw | out123 [ - ] [ options  ]

       out123 [ options ] filename [ filename ... ]

       out123 --wave-freq freq1[,freq2,...] [ options ]

       out123 --source geiger [ options ]


DESCRIPTION
       out123  reads raw PCM data (in host byte order) from standard input and plays it on the audio
       device specified by given options.  Alternatively, it can generate periodic or random signals
       for playback itself.

OPTIONS
       out123 options may be either the traditional POSIX one letter options, or the GNU style  long
       options.   POSIX  style  options  start  with a single '-', while GNU long options start with
       '--'.  Option arguments (if needed) follow separated by whitespace (not '=').  Note that some
       options can be absent from your installation when disabled in the build process.

       --name name
              Set the name of this instance, possibly used in various places. This sets  the  client
              name for JACK output.

       -o module, --output module
              Select  audio  output  module. You can provide a comma-separated list to use the first
              one that works.  Also see -a.

       --list-modules
              List the available modules.

       --list-devices
              List the available output devices for given output module. If there is no  functional‐
              ity  to  list  devices  in the chosen module, an error will be printed and out123 will
              exit with a non-zero code.

       -a dev, --audiodevice dev
              Specify the audio device to use.  The default as well as the possible values depend on
              the active output. For the JACK output, a comma-separated list of ports to connect  to
              (for each channel) can be specified.

       -s, --stdout
              The  audio samples are written to standard output, instead of playing them through the
              audio device.  The output format is the same as the input ... so in this mode,  out123
              acts  similar  the  standard tool  cat, possibly with some conversions involved.  This
              shortcut is equivalent to '-o raw -a -'.

       -S, --STDOUT
              This variant additionally writes the data to stdout, while still  playing  it  on  the
              output device. So it is more like some flavour of tee than a cat.

       -O file, --outfile
              Write  raw output into a file (instead of simply redirecting standard output to a file
              with the shell).  This shortcut is equivalent to '-o raw -a file'.

       -w file, --wav
              Write output as WAV file file , or standard output if - is or the empty string used as
              file name. You can also use --au and --cdr for AU and CDR format,  respectively.  Note
              that WAV/AU writing to non-seekable files or redirected stdout needs some thought. The
              header is written with the first actual data. The result of decoding nothing to WAV/AU
              is  a  file  consisting just of the header when it is seekable and really nothing when
              not (not even a header). Correctly writing data with prophetic headers to stdout is no
              easy business.  This shortcut is equivalent to '-o wav -a file'.

       --au file
              Write to file in SUN audio format.  If - or the empty string is used as the  filename,
              the  AU file is written to stdout. See paragraph about WAV writing for header fun with
              non-seekable streams.  This shortcut is equivalent to '-o au -a file'.

       --cdr file
              Write to file as a CDR (CD-ROM audio, more correctly CDDA for Compact Disc Digital Au‐
              dio).  If - is or the empty string used as the filename, the CDR file  is  written  to
              stdout.  This shortcut is equivalent to '-o cdr -a file'.

       -r rate, --rate rate
              Set  sample  rate in Hz (default: 44100). If this does not match the actual input sam‐
              pling rate, you get changed pitch. Might be intentional;-)

       -R rate, --inputrate rate
              Set input sample rate to a different value. This triggers  resampling  if  the  output
              rate is indeed different. See --resample.

       --speed factor
              Speed up/down playback by that factor using resampling. See --resample.

       --resample method
              This  chooses the method for resampling between differing sampling rates or to apply a
              change in tempo. You can choose between two variants of  the  syn123  resampler:  fine
              (the  default) and dirty. The fine one features 108 dB dynamic range and at worst-case
              84% bandwidth. The dirty one uses a bit less CPU time (not that much, though)  by  re‐
              ducing  the dynamic range to 72 dB with worst-case bandwidth of 85%. The exact proper‐
              ties vary with the sampling rate ratio, as there is interpolation  of  filter  coeffi‐
              cients involved.

       -c count, --channels count
              Set channel count to given value.

       -C count, --inputch count
              Set  input  channel count to a differnt value than for output. This probably means you
              want some remixing. Also see --mix.

       -e enc, --encoding enc
              Choose output sample encoding. Possible values look like f32 (32-bit floating  point),
              s32  (32-bit signed integer), u32 (32-bit unsigned integer) and the variants with dif‐
              ferent numbers of bits (s24, u24, s16, u16, s8, u8) and  also  special  variants  like
              ulaw  and  alaw 8-bit.  See the output of out123's longhelp for actually available en‐
              codings.  Default is s16.

       --endian choice
              Select output endianess (byte order). Choice is big, little, or native, which  is  the
              default.  The processing can only work in native mode, so you need to specify input or
              output  byte order if that does not match your machine. This also sets the input endi‐
              aness if that is not set separately. See also --inputend and --byteswap.

       -E enc, --inputenc enc
              Specify input encoding different from output encoding for conversion.

       --inputend choice
              Select input endianess (byte order). By default it is the same as output  byte  order.
              See --endian.

       --byteswap
              A  switch to trigger swapping of byte order just before output, after any other trans‐
              formations.  This works on top of any endianess you specify with

       -m, --mono
              Set for single-channel audio (default is two channels, stereo).

       --stereo
              Select stereo output (2 channels, default).

       --list-encodings
              List known encoding short and long names to standard output.

       --mix matrix
              Specify a mixing matrix between input and output channels  as  linear  factors,  comma
              separated list for the input channel factors for output channel 1, then output channel
              2, and so forth.  The default is a unit matrix if channel counts match, so for 3 chan‐
              nels  the  equivalent  of both channels with halved amplitude, so '--mix 0.5,0.5'. For
              splitting mono to stereo, it is '--mix 1,1' top keep the symmetry.

       --filter coeff
              Apply digital filter(s) before pre-amplification (see --preamp) with  the  coefficient
              list coeff as
                                             b_0,...,b_N,a_0,...,a_N
              where  a_0=1  is  mandatory  and perhaps helps orientation a bit. Multiple filters are
              separated by ':'.

       -P dbvalue --preamp dbvalue
              Enable a pre-amplification stage that amplifies the signal with the given value in  dB
              before output.

       --offset value
              Apply  a  PCM  offset  (floating point value scaled in [-1:1] in the pre-amplification
              stage.  Normally, you would do that to correct a known DC offset in a recording.

       --clip mode
              Select clipping mode: 'soft' or 'hard' for forced clipping  also  for  floating  point
              output,  'implicit' (default) for implied hard clipping during conversion where neces‐
              sary.

       --dither
              Enable dithering for conversions to integer. If you insist.  This  is  just  some  un-
              spectacular  TPDF dither. For some people, that is not fancy enough.  Most people can‐
              not be bothered that way or the other.

       --test-format
              Check if given format is supported by given driver and device (in command line  before
              encountering this), silently returning 0 as exit value if it is the case.

       --test-encodings
              Print out the short names of encodings supported with the current setup.

       --query-format
              If  the selected driver and device communicate some default accepted format, print out
              a command line fragment for out123 setting that format, always in that  order:  --rate
              <r> --channels <c> --encoding <e>

       -o h, --headphones
              Direct audio output to the headphone connector (some hardware only; AIX, HP, SUN).

       -o s, --speaker
              Direct audio output to the speaker  (some hardware only; AIX, HP, SUN).

       -o l, --lineout
              Direct audio output to the line-out connector (some hardware only; AIX, HP, SUN).

       -b size, --buffer size
              Use  an audio output buffer of size Kbytes.  This is useful to bypass short periods of
              heavy system activity, which would normally cause the audio output to be  interrupted.
              You  should  specify  a  buffer size of at least 1024 (i.e. 1 Mb, which equals about 6
              seconds of usual audio data) or more; less than about 300 does not  make  much  sense.
              The default is 0, which turns buffering off.

       --preload fraction
              Wait  for  the  buffer to be filled to fraction before starting playback (fraction be‐
              tween 0 and 1). You can tune this prebuffering to either get sound faster to your ears
              or safer uninterrupted web radio.  Default is 0.2 (changed from 1 since version 1.23).

       --devbuffer seconds
              Set device buffer in seconds; <= 0 means default value. This is the small  buffer  be‐
              tween  the  application  and  the audio backend, possibly directly related to hardware
              buffers.

       --timelimit samples
              Set playback time limit in PCM samples if set to a value greater  than  zero.   out123
              will  stop  reading from stdin or playing from the generated wave table after reaching
              that number of samples.

       --seconds seconds
              Set time limit in seconds instead.

       --source name
              Choose the signal source: 'file' (default) for playback of the given  file(s)  on  the
              command line or standard input if there are none, or one of the generators 'wave' (see
              --wave-freq), geiger (see --geiger-activity), or just 'white' for some white noise.

       --wave-freq frequencies
              Set  wave  generator  frequency  or list of those with comma separation for enabling a
              generated test signal instead of standard input. Empty values repeat the previous one.

       --wave-pat patterns
              Set the waveform patterns of the generated waves as comma-separated list.  Choices in‐
              clude sine, square, triangle, sawtooth, gauss, pulse, and shot.  Empty  values  repeat
              the previous one.

       --wave-phase phases
              Set  waveform  phase  shift(s)  as comma-separated list, negative values inverting the
              pattern in time and empty value repeating the previous. There is also --wave-direction
              overriding the negative bit.

       --wave-direction
              Set wave direction explicitly (the sign counts).

       --wave-sweep frequency
              Sweep a  generated  wave  to  the  given  frequency,  from  first  one  specified  for
              --wave-freq, using the first wave pattern and direction, too.

       --sweep-time seconds
              Set  frequency  sweep duration in seconds if > 0. This defaults to the configured time
              limit if set, otherwise one second, as endless sweeps are not sensible.

       --sweep-count count
              Set timelimit to exactly produce that many (smooth) sweeps

       --sweep-type type
              Set sweep type: lin(ear) for linear, qua(d) (default) for quadratic, or  exp(onential)
              for an exponential change of frequency with time.

       --sweep-hard
              Disable post-sweep smoothing for periodicity.

       --genbuffer bytes
              Set  the  buffer size (limit) for signal generators, if > 0 (default), this enforces a
              periodic buffer also for non-periodic signals, benefit: less runtime CPU overhead,  as
              everything is precomputed as enforced periodic signal.

       --wave-limit samples
              This is an alias for --genbuffer.

       --pink-rows number
              Activate  pink  noise  source  and choose rows for the algorithm (<1 chooses default).
              The generator follows code provided by Phil Burk (http://softsynth.com) and  uses  the
              Gardner method.

       --geiger-activity number
              This  configures  the simulation of a Geiger-Mueller counter as source, with the given
              numer as average events per second. Play with it. It's fun!

       -t, --test
              Test mode.  The audio stream is read, but no output occurs.

       -v, --verbose
              Increase the verbosity level.

       -q, --quiet
              Quiet.  Suppress diagnostic messages.

       --aggressive
              Tries to get higher priority

       -T, --realtime
              Tries to gain realtime priority.  This option usually requires root privileges to have
              any effect.

       -?, --help
              Shows short usage instructions.

       --longhelp
              Shows long usage instructions.

       --version
              Print the version string.

AUTHORS
       Maintainer:
              Thomas Orgis <maintainer AT mpg123.org>, <thomas AT orgis.org>

       Creator (ancestry of code inside mpg123):
              Michael Hipp

       Uses code or ideas from various people, see the AUTHORS file accompanying the source code.

LICENSE
       out123 is licensed under the GNU Lesser/Library General Public License, LGPL, version 2.1 .

WEBSITE
       http://www.mpg123.org
       http://sourceforge.net/projects/mpg123

                                             26 Apr 2020                                   out123(1)
out123(1)
NAME SYNOPSIS DESCRIPTION OPTIONS
-o module, --output module --list-modules --list-devices -a dev, --audiodevice dev -s, --stdout -S, --STDOUT -O file, --outfile -w file, --wav -r rate, --rate rate -R rate, --inputrate rate -c count, --channels count -C count, --inputch count -e enc, --encoding enc -E enc, --inputenc enc --byteswap -m, --mono --stereo --list-encodings -P dbvalue --preamp dbvalue --dither --test-format --test-encodings --query-format -o h, --headphones -o s, --speaker -o l, --lineout -b size, --buffer size --wave-direction --sweep-hard -t, --test -v, --verbose -q, --quiet --aggressive -T, --realtime --longhelp --version
AUTHORS LICENSE WEBSITE

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